Some of the significant early collections contributed to the Horner Museum were natural history, geological and archaeological specimens. John Horner and two of his friends from Albany, Oregon, Dr. J.L. Hill and Mr. J. G. Crawford, worked together to collect archaeological specimens as part of their natural history studies.
All three men were schooled in the late 19th century intellectual tradition of "total culture." Hill was a physician as well as an amateur taxidermist. There is a photograph of Hill's taxidermy mounts on a parade float in Albany that was taken in 1911. Crawford was a photographer as well as an amateur archaeologist. And, Horner was a scholar as well as an educator and historian. Horner was an original member of the Oregon Geographic Names board in 1911.
Spring 2008 marked the renaissance of the Oregon State University Horner Museum as the Horner collection moved from the dusty basement under Gill Coliseum to a brand new climate controlled facility just a few miles away in Philomath, Oregon. The Benton County Historical Society is providing a new home for 60,000 artifacts which have been steadily collected since Mr. Horner started the museum in 1925.
The artifacts are protected and preserved in the Peter & Rosalie Johnson Collections Center, a state-of-the-art climate controlled facility in Philomath, Oregon.
1888 | College Hall housed the College Museum or General Museum. |
1902 | Museum moved to Agricultural Hall fourth floor. |
1913 | Dean Bexell of the School of Commerce wanted a museum for the public as well as students and faculty. He arranged objects on the third floor of Agriculture Hall and named it the Commerce Museum. Horner came under Bexell's influence because the History Department was in the School of Commerce. |
1923-24 | Horner succeeds in getting large, private collections of anthropological, geological, zoological, and historical artifacts. He adds these collections to the remnants of the Commerce Museum and assembled a museum in the basement of the Library. The College Museum opened in 1925. |
1933 | Collection moves to the Women's Gymnasium, lower level. |
1933 | John D. Horner dies. A letter is found in his typewriter. It is a proposal to Henry Ford, requesting $1,000,000 to create the finest museum on the Pacific Coast. |
• J.L. Hill collection of birds, mammals, Indian artifacts and pioneer artifacts numbered over 1,000 objects.
• D.E. Boord's Great Lakes area collection of wildlife mounts.
• Wm. Thos. Shaw's zoology collection: Shaw was a professor at Oregon Agricultural College and his taxidermy bird mounts won a gold medal at the Lewis and Clark Exposition in Portland, Oregon in 1905.
• The Andrew Sherwood geology collection from Pennsylvania. This collection was amassed in the late 19th century. Sherwood traded Louis Agassiz at Harvard University's Museum of Comparative Zoology for some tiny fossils in hand-blown test tubes that are in the Horner collection. Sherwood was a contemporary of Agassiz and Asa Gray. This connection illustrates the academic connections that OAC had to other institutions. The Museum of Comparative Zoo may still have the transfer records.
• J.L. Hill Collection
• J. G. Crawford Collection
• D.E. Boord Collection
• Wm. Thos. Shaw Collection
• Andrew Sherwood Collection
• Julia Beard Shell Collection
• J.C. Braly Collection
• Harriett Moore Collection
• Florence Kohlhagen McHenry Collection of textiles and costumes
• Donnegan Wiggins Collection of arms
• Annie Fortmiller Collection of dolls
• Mr. and Mrs. J.J. Bailey Collection of dolls
• Conrad Lindberg Collection
• Kirby Austin Collection
• Gladys R. Blood Collection of glassware
• Louis C. Raymond Collection of international artifacts
• Bing Francis Collection
• Michael and Sonia Spiegel Collection of dolls
• Mrs. R.E. Duniway Collection of dolls
• Marie Ruston Collection of Chinese artifacts
• Ira Gillet Collection of African artifacts
• Mr. and Mrs. Mark Price Collection of ceramics
• Bill Charnholm and Bert Platz Collections of toy trains
Oregon State University Horner Museum Collection
sponsored and supported in part by the
Horner Museum Fund